As he rode his bike across the famous steel city of Sheffield in the early 1970’s, Craig Davison could not have predicted the impact these carefree days would have upon his career some 40 years later.
With the adventures and escapades of a youth well (miss)pent coming to a close and the nearly endless summer holidays leaving only the very best memories in its place, the line towards becoming one of the UK’s best selling fine artists was anything but a straight one.
A successful role as a cartoonist began the journey with drawing the likes of The Shoe People and The Wombles before moving into animation and games design with a major British company.
Working on a wide portfolio of the day’s most known computer games including Zorro, The Hulk and The Hurricanes allowed Craig the platform to sculpt every day as his sculpting reference figures for 3D animation developed him artistically enough to become a freelance sculptor working alongside international brands including Harry Potter and Doctor Who.
As he rode his bike across the famous steel city of Sheffield in the early 1970’s, Craig Davison could not have predicted the impact these carefree days would have upon his career some 40 years later.
With the adventures and escapades of a youth well (miss)pent coming to a close and the nearly endless summer holidays leaving only the very best memories in its place, the line towards becoming one of the UK’s best selling fine artists was anything but a straight one.
A successful role as a cartoonist began the journey with drawing the likes of The Shoe People and The Wombles before moving into animation and games design with a major British company.
Working on a wide portfolio of the day’s most known computer games including Zorro, The Hulk and The Hurricanes allowed Craig the platform to sculpt every day as his sculpting reference figures for 3D animation developed him artistically enough to become a freelance sculptor working alongside international brands including Harry Potter and Doctor Who.
